It’s very much the Bluesound character we’ve been accustomed to over recent years, and it’s a distinguishable one whatever system we listen through.įeed the Node a rhythm, as we happily do with Nas’ The Message, and this Bluesound snaps into action, throwing itself into the lucid beat uninhibited and tightly knitting it together with the guitar pattern. And it has a seemingly insatiable appetite for rhythms. The Node has a direct sound and is slightly warmer in tone than its most obvious rival, Audiolab’s 6000N Play. Like the two Nodes before it at their time of arrival in 20 respectively, the newest Node – introduced in the summer of 2021 – enters the surprisingly sparse budget music streamer market with plenty of up-to-date, all-round appeal. Still, like the Marantz pair, the Bluesound Node (2021) is some iterations down the line now. Music streamers are, of course, much newer tech than CD players. Marantz has traded some of that smoothness for a bit more oomph, as well as tightened up the bass, and the result is a markedly more spirited presentation.Īs a pairing then, and at this budget, you won’t find a duo that work together as well as the Marantz siblings. Where it pulls away from the PM6006 UK Edition is in its greater clarity, precision and rhythmic punch. Like its predecessor, it’s about as agreeable a performer as you could ask for at this price. Its sonic character is as familiar as its casework: smooth, full-bodied and balanced, with a pleasing spaciousness. The 6007 amplifier has also improved on its predecessor in similar ways. There’s a pleasing sense of composure to tie it all together. Similarly, larger-scale dynamics are delivered with more verve and punch. Instruments are easier to locate and stay locked in place more easily when the music becomes more demanding. Stereo imaging has benefited, with the new Marantz able to render a more expansive and better-focused soundstage. As well as compact discs, of course.Ĭompared with the older CD6006 UK Edition, also one of our Award winners in the past, this new machine is a crisper, more open performer. This means that, together with the Bluesound (on which more below), you’ve got most digital file options covered. The last-generation model could cope with 48kHz files at best and not DSD. Once that’s done you can play hi-res PCM music up to 24-bit/192kHz and DSD128. You’ll need to use the front panel USB Type A socket to get the files into the player. Not through the CD disc drive, of course. The CD 6007 uses a new DAC chip over its predecessor that allows it to process high-resolution files. Marantz hits a consistent sweet spot at this price level that rivals are finding impossible to beat. Both of these 6000 series offerings are perennial Award winners from us, so it’s no huge surprise to find them gracing these pages. We should start with the Marantz pairing.
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